Composition (in the arts and sciences) is the arrangement of parts or elements in a work of art or scientific inquiry. In other words, it is the way in which something is put together. The term can refer to various things, including the structure of atoms and molecules, the arrangement of a painting or photograph, and even the way in which musical notes are arranged.
In chemistry, composition refers to the makeup of a substance. This can be determined by many methods, such as elemental analysis or spectroscopy. In atomic physics and quantum mechanics, composition refers to the wave function of a system, which tells us how likely it is to find particles at certain locations.
In art, composition is often used interchangeably with design. It usually refers to the overall look and feel of a work of art, rather than its individual parts. A well-composed painting or photograph will appear balanced and pleasing to the eye. Good composition can make a mediocre painting or photo look much better. Conversely, bad composition can ruin an otherwise good work of art.
There are several basic principles of good composition in art:
* Balance: This principle deals with visual weight. Elements should be distributed evenly throughout the work so that it looks balanced. Symmetrical balance is when both sides look identical; asymmetrical balance is when one side looks different from the other but both sides still look balanced overall; radial balance occurs when elements radiate out from a central point like spokes on a wheel; finally there’s dynamic balance which suggests that all elements within a piece are moving towards some sort of equilibrium even if they’re not perfectly symmetrical or evenly distributed across the page/canvas/etcetera
* Contrast: This principle contrast between different colors, tones (lightness/darkness), textures etcetera makes a piece more interesting to look at because our eyes are naturally drawn to differences
* Dominance & Emphasis: One element should dominate most others while still allowing them all equal footing–this gives importance to whatever we want viewers focused on while still providing context for that element’s existence within its surroundings For example if you want people looking at someone’s face in portraiture then make sure their face takes up more space than anything else and has higher tonal values too so it stands out against everything else You can also use color for emphasis as well–if everything else is black & white but one thing is red then obviously that item will command attention
* Movement: This principle uses diagonal lines,, repetition,, proximity,, contrasting sizes,, etcetera To create visual movement which pulls our eyes through works similar dominant & emphasis where we talked about guiding viewers where you want them looking except now we don’t just want their attention on one spot but rather flowing through multiple areas before coming back around again Imagine your favorite song playing as you read this section –the lyrics might guide what thoughts come into your head next but there’s also an underlying melody carrying you along too so everything feels interconnected That sense interconnectedness & flow is what we strive for here with movement
These principles aren’t set in stone though – they’re more like guidelines because ultimately creative expression means doing whatever pleases you & your audience So experiment! Try breaking some “rules” see what happens It might just lead you down an amazing path full wonderful new discoveries